The news is out that Yahoo is going to close Delicio.us. This hurts me at a deep level. I was early enough on the delicious train that I have my first name as my delicious login.
We need an open cloud. I have thoughts about what that means - peer to peer, distributed hash tables, caching, etc. And replicating delicious seems like a great project to test out the idea. Delicious links are intrinsically open, so you don't have to deal with privacy issues on the reading side.
Etc.
Anyone want to work on it? Email me, rich.gibson@gmail.com.
So...on to my rant.
For various reasons I didn't use it much over the last seven years. (yes, seven years). I only have a bit over 1,000 links.
But those 1,000 links are important to me. And the piece of web infrastructure which delicious provides is important.
OTOH, the social aspect of delicious became less valuable as it grew. Sadly we have not yet figured out a very effective way of filtering out the ordinary wankers which doesn't also sanitize our news of the exceptional. To be all current meme, we want tools to hide the white swans and expose the black swans as soon as even a hint of them appears.
But we don't have that. For the first little while, early 2004, Delicious did that. But it did that service because only interesting people had adopted early.
It will require someone more clever than I to solve that problem. Fortunately there are clever people out there.
But in the meantime, the basic function of allowing us to save our own links to 'Delicious' for our own research and use, and to publish for people who actually want to follow us, is useful.
Major and minor players who made, or attempted to make, their fortunes aggregating user generated content have repeatedly demonstrated a callous disregard for those users.
People put their creative effort into generating content, and then one day after being more or less responsible about providing exports and notice and all the data is gone.
Yahoo did it with GeoCities, and now with Delicious, and Google is regularly guilty.
Right now I am utterly disgusted at Google Groups. Each time I log in it seems that a new feature is being removed.
Now they are disabling 'pages and files' from Google Groups. They announced it Sept 22, and 'in Feb 2011' you will no longer be able to access this content.
How kind of them to provide such notice.
I sort of expect it of Yahoo, since they have been completely unable to keep from turning everything they touch into mush, but for Google to kill content after 5 months strikes me as deeply disturbing.
Have they run out of disk space?
Thursday, December 16, 2010
Tuesday, December 14, 2010
Try 2: Capturing personal and shared spaces with explorable gigapixel imagery.
(This is an extension of the abstract for a proposed session in the
upcoming Personal Archiving conference, Feb 24-25, at the Internet Archive in San Francisco. This is a work in progress, which I intend to extend)
Explorable images, GigaPans, allow us to capture details of the spaces in which we live our lives in ways which are currently lost.
The world is the stage upon which we live our lives, the studio or workshop where we allow our imaginations to erupt into physical or virtual form, and the museum where we keep the artifacts which we have gathered as evidence of our existence.
(I split the post because there are numerous embedded GigaPans and I don't want them crashing my regular blog)
upcoming Personal Archiving conference, Feb 24-25, at the Internet Archive in San Francisco. This is a work in progress, which I intend to extend)
Explorable images, GigaPans, allow us to capture details of the spaces in which we live our lives in ways which are currently lost.
The world is the stage upon which we live our lives, the studio or workshop where we allow our imaginations to erupt into physical or virtual form, and the museum where we keep the artifacts which we have gathered as evidence of our existence.
(I split the post because there are numerous embedded GigaPans and I don't want them crashing my regular blog)
Friday, December 10, 2010
Capturing personal and shared spaces with explorable gigapixel imagery.
An abstract proposal for a session in the upcoming Personal Archiving conference, Feb 24-25, at the Internet Archive in San Francisco.
See this extended version of this content.
I am currently working on highlighting particularly relevant examples. For example, here
are gigapans of the Inoperable art gallery in Vienna.
The Poster For Tomorrow project had an exhibit 'The Pencil is mightier' which was in 24 locations world wide to celebrate Global Human Rights Day, December 10th 2009. It included a display of posters by the MuseumsQuartier in Vienna, and I GigaPanned some of the posters - I wanted to go back and capture more images, but the exhibit was up for a limited time. I guess that illustrates the importance of capturing context of transient events!
Here is how the Long Now museum looked about three years ago.
The Monochrom office is almost the perfect example of a space in continuous transition, brimming with details which can be missed by any but the closest examination.
Here are images from the exhibit "Fifty years of Italian Fashion" from December 2009 in the MuseumsQuartier in Vienna.
We seldom document the places where we work. Maybe a few photos, but most of us have few records of the places we spend so much of our time. Here is what the Global Connections Lab looked like right before we moved. This is where the Gigapan was developed, including a gigapan of gigapans - prototypes and beta units.
The abstract:
Explorable images, GigaPans, allow us to capture details of the spaces in which we live our lives in ways which are currently lost.
The world is the stage upon which we live our lives, the studio or workshop where we allow our imaginations to erupt into physical or virtual form, and the museum where we keep the artifacts which we have gathered as evidence of our existence.
And we attempt to capture that experience of space. We take pictures, we write diaries, take videos, but all of these forms lose the key context of our spaces. In many ways we live our lives the way a museum exhibit or a piece of theatre is created, viewed, and cleared away.
A well curated museum exhibit or a finely directed theatrical work create physical, emotional, and cognitive spaces where an audience is able to expand their minds, and experience reality in new ways.
But a curated exhibit or a theatrical extravaganza are transitory experiences. After an exhibit is over, or the curtain falls, there are a few artifacts left behind: a museum catalog, posters, reviews, some photographs, perhaps a web site, or a video. But ultimately the artifacts are returned to their permanent homes, the walls are repainted, the set is struck, and the space becomes again a blank canvas, an empty stage, a tablula rosa ready for the next show.
Most of these forms of archiving our experiences: of life or museumship or theatre lose the context required to make sense of the whole. A museum catalog may have images of every piece in an exhibit, but it loses the context of the full creation. And a photograph catches just the smallest bit of our experience.
Using explorable gigapixel images we can capture more detail about a space, and the context of that space. In this talk I will present a number of examples of GigaPan images used to capture more or less transient spaces, from museum and art gallery exhibits, to work spaces, and temporary events. I will also offer a suggested starting point for a conversation about developing best practices for capturing explorable images which show the context of the spaces in which we live.
See this extended version of this content.
I am currently working on highlighting particularly relevant examples. For example, here
are gigapans of the Inoperable art gallery in Vienna.
The Poster For Tomorrow project had an exhibit 'The Pencil is mightier' which was in 24 locations world wide to celebrate Global Human Rights Day, December 10th 2009. It included a display of posters by the MuseumsQuartier in Vienna, and I GigaPanned some of the posters - I wanted to go back and capture more images, but the exhibit was up for a limited time. I guess that illustrates the importance of capturing context of transient events!
Here is how the Long Now museum looked about three years ago.
The Monochrom office is almost the perfect example of a space in continuous transition, brimming with details which can be missed by any but the closest examination.
Here are images from the exhibit "Fifty years of Italian Fashion" from December 2009 in the MuseumsQuartier in Vienna.
We seldom document the places where we work. Maybe a few photos, but most of us have few records of the places we spend so much of our time. Here is what the Global Connections Lab looked like right before we moved. This is where the Gigapan was developed, including a gigapan of gigapans - prototypes and beta units.
The abstract:
Explorable images, GigaPans, allow us to capture details of the spaces in which we live our lives in ways which are currently lost.
The world is the stage upon which we live our lives, the studio or workshop where we allow our imaginations to erupt into physical or virtual form, and the museum where we keep the artifacts which we have gathered as evidence of our existence.
And we attempt to capture that experience of space. We take pictures, we write diaries, take videos, but all of these forms lose the key context of our spaces. In many ways we live our lives the way a museum exhibit or a piece of theatre is created, viewed, and cleared away.
A well curated museum exhibit or a finely directed theatrical work create physical, emotional, and cognitive spaces where an audience is able to expand their minds, and experience reality in new ways.
But a curated exhibit or a theatrical extravaganza are transitory experiences. After an exhibit is over, or the curtain falls, there are a few artifacts left behind: a museum catalog, posters, reviews, some photographs, perhaps a web site, or a video. But ultimately the artifacts are returned to their permanent homes, the walls are repainted, the set is struck, and the space becomes again a blank canvas, an empty stage, a tablula rosa ready for the next show.
Most of these forms of archiving our experiences: of life or museumship or theatre lose the context required to make sense of the whole. A museum catalog may have images of every piece in an exhibit, but it loses the context of the full creation. And a photograph catches just the smallest bit of our experience.
Using explorable gigapixel images we can capture more detail about a space, and the context of that space. In this talk I will present a number of examples of GigaPan images used to capture more or less transient spaces, from museum and art gallery exhibits, to work spaces, and temporary events. I will also offer a suggested starting point for a conversation about developing best practices for capturing explorable images which show the context of the spaces in which we live.
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